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Sunday, June 15, 2008
New Zealand in Antarctica

ANOTHER COMPOSER IN ANTARCTICA
What do you get if you cross a penguin with a drag queen?
Answer: A world premiere from the New Zealand Artists in Antarctica Scheme.
Nations across the world have found the perfect solution to the surplus of composers. Sweden, UK and Canada are already joining New Zealand in extraditing composers to the frozen north or south, and those that survive, have to come back and write a piece of music. Of course, when you send a drag queen like Lilith la Croix, aka New Zealand Composer Gareth Farr (pictured above), there’s no question of her NOT surviving. “First I was afraid, I was petrified....I will survive, I will not lay down and Die”, we have all learned from Gloria Gaynor.
"Terra Incognita" is Gareth’s response to 2 weeks in the Scott base in Antarctica. This 25 minute work is a symphonic cantata involving Paul Horan on text, Paul Whelan as solo bass-baritone, the Orpheus Choir directed by Michael Fulcher, a new video installation by Mike Newman and myself with the New Zealand Symphony Orchestra, one of the best orchestras in the southern hemisphere.
Paul Horan drew on many sources, including Scott’s own diary and Paul Whelan’s desire to sing about the Larson B ice shelf, which he and I had both read about in Al Gore’s book “An Inconvenient Truth”. The full text can be found under the blog entry – Terra Incognita.
How does one write music about the Antarctic, where there is pure silence? Even one’s own sounds are absorbed by the snow. Gareth rose to this challenge by forming a journey of the spirit, as Captain Scott travels out from New Zealand to a journey of challenge and eventually despair, drawing on his own language through Gamelan , rock and romantic influences.
You can find out more about Artists to Antarctica here:
http://www.antarcticanz.govt.nz/research/1025
Other Artists to Antarctica can be found at:
http://www.art-newzealand.com/Issue117/southbound.htm
http://www.nzartmonthly.co.nz/trezise_006.html
And Gareth Farr:
Orpheus choir:
http://www.orpheuschoir.org.nz/About.html
Paul Whelan:
Terra Incognita:
http://www.promethean-editions.co.nz/php/WorkDetail.php?W...
Suite from Vaughan Williams’ “Scott in the Antarctic”
The NZSO requested that I put together an opener for the concert, based on the film music from Vaughan Williams’s firm “Scott of the Antarctic”. Only the manuscript for the entire music exists in the British library, but Chandos Music had published it as score and parts for the BBC Philharmonic CD of Vaughan Williams’ film music, so I was able, with the CD and kind permission from the Vaughan Williams Trust, to put my own suite together.
The suite is 11 minutes long, and makes a great concert opener for Youth, Amateur and professional orchestras alike, particularly if there’s a choir & orchestra piece programmed.
Scoring is 2+1,2+1,2+1,2+1:4,3,3,1: 2 perc (inc. wind machine), timp, cel, pno, hp, (opt.org) str. Choir (SSAA)
1. Climbing the Glacier
2. Aurora
3. Doom
4. Blizzard
5. Penguin Dance
6. Scott on the Glacier
During the performance, images of Sir Edmund Hillary, who had died a few months before, were projected in tribute to this great New Zealander.
For more enquiries about this suite, contact Chandos Music:
http://www.mpaonline.org.uk/About/members/Chandos_Music_L...
for the BBC Phil CD:
http://www.amazon.com/Film-Music-Vaughan-Williams-1/dp/B0...
The Concert on 18th April, 2008
Another musical highlight, hot on the heels of my Carnegie Hall debut. What began as a cold call to the NZSO turned into one of the most innovative concerts I’ve ever conducted.
The genius of the NZSO team, led by Rachel Hyde, Manager of Artistic Planning, put together:
- A world premiere by New Zealand composer Gareth Farr, with Paul Whelan as bass-baritone
- A new suite of Vaughan Williams’ film music
- An NZ premiere of Maxwell Davies Antarctic Symphony
- Video art for the Farr and Maxwell Davies by Mike Newman
- An education program for schools
- A week-long festival reviewing the years of artistic output from New Zealand Artists in Antarctica
- A live video conference between Peter Walls, CEO of the NZSO and the New Zealand scientists at Scott base, directly after the Vaughan Williams, in which the scientists, who were receiving the whole concert live from a sold-out Wellington Town hall, performed their own “live” cardboard cut-out orchestra version of Beethoven 5, to everyone’s great hilarity.
- A fundraiser to help restore and maintain the Scott base
- A broadcast from New Zealand Radio
This is what orchestral music can be; meaningful to the whole community, high tech with traditional, challenging, connecting the past with the present, connecting people outside the concert hall in remote communities with communal music making.
Explore the NZSO Antarctic spectacular at:
http://www.nzso.co.nz/the_concerts/special_concerts/antar...
Here are the full reviews below:
http://www.salient.org.nz/arts/music/classical-music-2
http://www.captimes.co.nz/rev/27/n/1786/Icecold.boss



From the bay in Wellington
15:25 Posted in Music | Permalink | Comments (0) | Email this | Tags: farr, antarctica, NZSO, whelan
Saturday, June 14, 2008
Terra Incognita
Terra Incognita
Music by Gareth Farr
Text edited and written by Paul Horan
1. "This world was never ours"
(Choir)
2. “Come my Friends” (soloist)
The last section of Ulysees by Alfred, Lord Tennyson
Come my friends
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows;
for my purpose holds
To sail beyond the sunset,
and the baths
Of all the western stars,
until I die.
Tho' much is taken, much abides;
and tho'
We are not now that strength
which in the old days
Moved earth and heaven;
that which we are, we are;
One equal-temper of heroic hearts,
Made weak by time and fate,
but strong in will
To strive, to seek, to find,
and not to yield.
3. In Discovery's Slang (choir)
by Paul Horan
In discovery's slang, I am last
So of course you will claim me
As if I am a god that forgot you
But no, I never knew you.
In discovery's songs, I will rise
But till you can make the word
That will run out to the horizon
None will be heard 'bove the wind.
4. "Night light" (soloist)
Scott, 1905
... As the red glow slowly travels around
and is lost behind the western hills,
our white world is left alone
with the moon and the stars.
The cold, white light falls
on the colder, whiter snow.
The eye travels on and on
Over the gleaming plain
till it meets with the white misty horizon.
and above and beyond,
the soft, silvery outlines of the mountains.
Did one not know them of old,
it would sometimes be difficult
to think them real,
so deep a spell of enchantment
seems to rest on the scene.
And indeed it is not a spell
that rests o a man alone,
for it is on such night
that the dogs lift up their voices
and ´join in a chant
which disturbs even the most restful sleepers.
5. From "The Quiet Land" by Frank Debenham
(soloist and choir)
Men are not old here
Only the rocks are old,
and the sheathing ice:
Only the restless sea,
chafing trhe frozen land,
Ever moving,
matched by the ceaselessly-circling sun.
Wild birds go wandering
over the face of the snow;
Bright, swift, harsh-crying,
strange adnd heedless.
Transient in time over the mountains,
As we are transient,
strangers in an old land.
Choir enters: (This earth was never ours)
Man is not old here
Creeping upon the white,
brilliant brow of the world.
Less than the birds,
impeded and muffled by the snow,
Unheeded by the sun,
rejected by the sea,
And stunned and stunted by the silence.
And above all,
the dream is here.
The dream of this that is above all else.
Braveness and light and space,
and the everlasting morning.
For this time there will be no awakening,
and no journey back.
Serenity is made whole and lucid;
This time the dream will never end.
6. "Eternal Silence" (soloist)
from Scott's impressions on the march
The eternal silence
of the great white desert
Cloudy columns of snow
drift advancing from the south,
pale yellow wraiths,
heralding the coming storm,
blotting out one by one
the sharp cut lines of the land.
7. "Great God" (soloist with choir)
Scott journal
Great God!
this is an awful place
and terrible enough
for us to have laboured to it
without the reward
of priority.
8. "Goodbye Larsen B"
by Paul Horan
A shift
A maw
A gulch of icy water
So goodbye Larsen B
Farewwell and good luck.
Were you a ship
A fleet
A great, white fleet
Striking otu for the North
Show our continent's might.
Were you a gift
A Prize
A glit'ring prize
Sacrificed to secure
The Antarctic silence.
But you are just
A baulk
A shapeless arbitary baulk
Bobbing: heaving and snapped
Green-silver in remaining light.
Goodbye Larsen B
Farewell and good luck
Were still an edge
The lip
Like the unmoving lip
An eternal border
Between the deep and the vast.
But you are just
A scrap
The palin testament
To our new talent
The once unthinkable
Here
Where
It seems
to fail
I step backwards again
As the ice softens:
Terrac incognita
A sliding hill of snow
Goodbye Larsen B
Farewell
Now go.
For enquiries about Terra Incognita:
http://www.promethean-editions.co.nz/php/WorkDetail.php?W...
17:30 Posted in Music | Permalink | Comments (0) | Email this